lordeddardstark:

what do we say to the god of death?

me: sean bean is that way

allthingseurope:

Amsterdam, Netherlands (by Curtis Gregory Perry)

allthingseurope:

Amsterdam, Netherlands (by Curtis Gregory Perry)

humansofnewyork:

"I’m always sad.""Are there certain thoughts associated with the sadness?""No, the sadness is under the thoughts. It’s like when you’re on a camping trip, and it’s really cold, and you put on extra socks, and an extra sweater, but you still can’t get warm, because the coldness is in your bones.""Do you hope to get away from it?""Not anymore. I just hope to come to peace with it."

humansofnewyork:

"I’m always sad."
"Are there certain thoughts associated with the sadness?"
"No, the sadness is under the thoughts. It’s like when you’re on a camping trip, and it’s really cold, and you put on extra socks, and an extra sweater, but you still can’t get warm, because the coldness is in your bones."
"Do you hope to get away from it?"
"Not anymore. I just hope to come to peace with it."

favourite female villainsjamie moriarty (elementary)

 ’My first instinct was to kill you. Quietly. Discreetly. But then, the more I learned about you, the more curious I became. Here, at last, seemed to be a mind that… that rivaled my own, something too complicated and too beautiful to destroy… at least without further analysis.

you’re my mission friend.

Happy Easter! [x]

vegasthecorgi:

Ears are warming up for take-off!

szarvas:

Mikor lesz már hangos gif?

awkwardsituationist:

to mark world theatre day, held on march 27, one hundred young syrians from jordan’s zaatari refugee camp acted in an adapted production of king lear. the play — which tells a story of exile, of a ruler losing touch with reality, and of a land divided by rival groups — was directed was nawar bulbul (third photo), a popular syrian actor who fled his country after appearing in anti government protests.

"i wanted to show that these children are not worthless …that they have something real to contribute." he said. “the show is meant to bring back laughter, joy and humanity” and "help [the children] express themselves." the kids — all under the age of fifteen — were actively involved in the costuming, for example.

many of the children cried when they heard the applause of onlookers at the play’s end. said one child, “i do not feel lonely any more in this place.” their parents described the project as a rare point of light in a bleak camp existence. after the show, they boasted of their children’s talent.

the production, months in the planning, was also meant to help counteract the effects of a war that has caused young syrians to miss vital years of education. about 60,000 of the refugees at the zaatari camp are younger than eighteen, and fewer than a quarter regularly attend school. many fear the war is creating a lost generation of children.

photos are by warrick page for the new york times and jared kohler for unhcr. for more on syria’s refugee crisis, see #withsyria, care international, oxfam syria crisis appeal, human care syria and free syrian voices

(it’s interesting to note that shakespeare actually mentions the city of aleppo in mabeth, which serves as a reminder that syria is one of our oldest centers of civilization.)